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Statement

Statement 

The portfolio is called Documenting Crimes by Lia Jackson, it is about crime that have happened in my local area ,I have created  work based four crimes that took place in and around the Greater Manchester area. I want to be a forensic photographer ultimately as a career so looking at crimes and crime scene evidence is what I am interested in. However I would have to complete extra educational courses to become a forensic photographer. Therefore I have another career option which is to work as photojournalist for a newspaper or television  doing features and pieces on crime.

 The crimes featured in this portfolio are murder, sexual abuse, drowning  and a missing person ( which later led to murder ). 

After looking  at professional photographers who look at crime and evidence I took real interest in Paul Seawright’s Sectarian Murders  body of work, he documented Ira sectarian murders that took place inn the 1970s. The images show the crime scene where the murderers took place.But these images are accompanied by the newspaper article about the murder that took place at the place photographed. However Paul Seawright removed what sector of Christianity the victims were removed  so the viewers who see the images view the images a way that is not prejudicial.Henry Iddon ‘A Place to go’ created similar work but photographed what on the surface a serene mountain scenes. But the text revealed that these were crime scenes where mountaineers died.

Using both these practitioners as inspiration I created images based on Lindsay Jo Rimmer , The Moors Murders  and Rochdale Sex scandal. All of these images are accompanied by text to reveal what the landscape and street image really is. 

Lindsay Jo Rimmer 13, went missing from her hometown of Hebden Bridge in 1994, if created work based on the timeline leading up to her going missing. I photographed her journey from her street where her home is to her meeting with her  mother to her visit the shops where she vanished.I chose to shoot each images at different angle similar to Paul Seawright tot related interest in this section and also to make the work look like documentary styled images. It turned out that she was murdered and her body was found in the Rochdale Canal a year later in 1995. However it wasn't until this year that her killer was found. Therefore I didn't include a picture of the canal where she drowned as it wasn’t until recently that there was news on how she drowned so far away from where she went missing.


Also as well as looking at practitioners like Paul Seawright and Henry Iddon, I looked at previous work that have created before. In International Markets and Contexts I as part of a group created work about the mysterious 'The Pusher,' this mysterious serial killer has being labelled responsible for many drownings across Greater Manchester waterways. The strange element of this case was the lack evidence, there was no sign of a struggle or  fight they victims drowned with no resistance. This was odd to me so for that module I created evidence using the water from the same waterways that victims drowned in to create footprints and hand prints by waters edge to suggest some presence of life by the water’s edge which was lacking in the actual crime evidence. I thought the images I created in that module would fit in well with my crime portfolio I have produced.However I  re-shot the footprint images in a crime scene style by using a flash gun to pick up every detail that could be vital in an investigation.

The third section of my portfolio is The Moors Murderers is one of the most well known Serial murderers ever, Ian Brady and Myra Hindley between 1963 to 1965 killed and buried 5 children on Saddleworth Moor. Pauline Reade, John Kilbride, Keith Bennett, Lesley Ann Downey and Edward Evans where the victims where sadly killed and buried on Saddleworth Moor , all but Keith have been found. The images I created for The Moors Murders are without the text are normal landscape images but with text reveal the terrible event that happened on the moors. The first two images are off the road and the saddle worth sign to explain the crime that took place at the moors and revealed the road Myra Hindley waited in the car for Ian Brady whilst he disposes of his victims. She stayed on the road so and pretend to be broke down so if anyone asked what she was doing she could explain why. The last two images are of the moors themselves. The text featured with these images reveal the victims John Kilbride, Lesley Ann Downey and Edward Evans on one image I couldn’t find the exact the location of where the four victims where found so I showed a wide angle of the moors instead.The last images is an another moors image with text that states  that Keith Bennett have not been found to this day.

The last section of images in my portfolio is about the Rochdale sex scandal that took place in 2008, there was Twelve men were convicted of sex trafficking and other offences including rape, trafficking girls for sex and conspiracy to engage in sexual activity with a child, on 8 May 2012. The sexual abuse happened mainly in 2 takeaways in Heywood ,Rochdale. The images I produced are of the welcome to Rochdale sign which has the information  about the Rochdale sex scandal.The sign image was chosen as it is supposed to welcome people to Rochdale. By having text that reveals this hyenas crime it makes the signs welcoming nature feel wrong. The other images are of the 2 takeaways in question which were Balti House and Tasty Bites. Due to the nature of the crime committed at these two takeaways are no longer in existence. I photographed the location of the takeaways as they are now. Balti House is still empty and no one is trading from this address. Unlike the Tasty Bites Location which is currently a butchers.I don’t reckon the owner of the butchers knows about the past business as having a butchers in the space where terrible abuse happened to girls is to me a bit sick and wrong it could be just me but I don't think knowing about the past I would have a food business there ever again.

Finished portfolio

Below is the images I am putting in my portfolio, the order the images are in now is how they will be in my portfolio. After looking at different portfolio option my images will be presented in a Sea White archival box  A4  I think the clamshell design makes it easier for my images to be looked at because one can slide the images across the width of the print box instead of taking each individual image out separately.Furthermore, I chose the print box because it reflects my work inside which is about crime and images of crime scenes are stored in evidence case file boxes so having a print box like the Sea white archival print box creates a similar effect. Also, the images will be separated by the acid-free archival paper to protect my images longer and stop the images from sticking to each other. Unfortunately i have been unable to engrave my print box, this is one element next time would differently want. I visited the 3D workshop a few times before the deadline and it was closed. They were unable to engrave my print box so I looked at other engraving services in around manchester and i visited some and they wouldn't be able to engrave on my portfolio box so i will have to leave it as it. I have thought about personalising my boxes in other ways like sticking letters on sticking my design below on but this wouldn't look professional so i have decided to leave my box as it is. This a real shame as i wanted to stand out from the rest with an engraved portfolio print box but unfortunately due to things outs side my control it is unable to be done. below is the design i wanted on my print box.The black background  represent the print box colour. 

Print box Design (Jackson,L 2017)

However I am now going to use this design inside of my box, I have put this design in side my portfolio box on the opposite side of where my images will be. If can't have my box etched with this design then i will use this design inside.I ave made sure that my images can slide across the design without causing the edges of the paper to crinkle or tear. the main reason i chose this box was that i can lie my images across the width of the box so clients and potential employers can easily look at my images without having to get each individual image separately that is why I chose it so the design on the inside shouldn't effect that.When printed out the black isn't jet black so i will not put any personalisation on as I don't want my box to look unprofessional so i will leave it. I think if i decided to personalise the inside and it doesn't look professional it will go against me in presentation so i would rather leave it unpersonalised than make a mess of personalising it. 

I think making the decision of printing my images on matte paper was the best decision as the texture of The Pusher images really comes through which is Matte paper allows textures to come through as it is has a semi-gloss finish. Overall I am pleased with my images they cover four crimes serial killer, the Missing person (which turns out to be a murder), sexual abuse scandal and drowning (serial killer). 

The Pusher images I think are improved and look more like crime scene images due to the use of a flash gun.I would think next time I would have maybe used markers and rulers to mark out the footprints and handprints like I did in Negotiated Major Project. I think this improvement could have elevated my images further but I am pleased with they have turned out. The style of having texts like the Paul Seawright and Henry Iddon images has made my images change from landscape images to a documentation of crime scenes. I have learned from researching artists like Paul Seawright and Henry Iddon that text can change the way you view an image as before the text is added to my images you wouldn't have suspected what these places I have photographed are but after explaining what happened in a newspaper styled font the audience will view the images in a different way. 

The Lindsay Jo Rimmer images are different to the Rochdale sex scandal and The Moors Murderers, These images document crime scenes where crimes have taken place. I am happy with these two sections of images as they styled how I wanted them to look which is similar to Paul Seawright  Sectarian Murders images to give my images a documentary almost newspaper look to them. If I was to improve these images I maybe could have found where the actual bodies of The Moors Murders victims were but due to time constraints and lack of knowledge, I couldn't find the exact spots at the moment. Rochdale Sex scandal images I think my images are interesting but due to the little evidence, I could find there wasn't a lot of evidence to photograph.The Lindsay Jo Rimmer images are a timeline of events up until the point she went missing. Like Paul Seawright's  Sectarian murders body of work, i took these images for the Lindsay Jo Rimmer timeline at a different angle to create interest in my body of work. The images are taken in a documentary style and I like the timeline I have created. But maybe to improve my images I could have extended the timeline as it does carry on years later which could be an idea for work in the future.

The Pusher 

Lindsay Jo Rimmer 

The Moors Murders                        

 Rochdale Sex Scandal    

Update i have decide the order of my images in the portfolio will be 

Lindsay Jo Rimmer Timeline images 
The Pusher Footprint and Handprints
The Moors Murderer
Rochdale Sex Scandal 

i have decided to put them this order as having the Pusher images in the middle breaks up the other images as they have a similar look to them. Therefore having The Pusher images second can show a different style of crime images.